Tuesday, December 12, 2017

Savannah Hendricks On Combatting The Fear Of Never Selling Another Book

Welcome to the SNOB - Second Novel Ominipresent Blues. Whether you’re under contract or trying to snag another deal, you’re a professional now, with the pressures of a published novelist compounded with the still-present nagging self-doubt of the noobie. How to deal?

Today's guest for the SNOB is Savannah Hendricks who holds a Master’s degree in Criminal Justice, an Associate degree & CCL in Early Childhood Education, and a Bachelor’s degree in Criminal Justice/Criminology. She works full time as a medical social worker and writes because to write, is to listen, to everyone, including yourself.

Is it hard to leave behind the first novel and focus on the second?

For me it was easy to start on other work. My first book, Nonnie and I took seven years from draft to sale so I already was well on my way through other stories, even submissions. There was a lot of focus on sales, which kept me distracted around and after the release date. I felt as though I was always checking to see where the book stood and if it had any reviews yet, plus my own marketing kept me busy. I did get the nagging feeling when I was submitting my second manuscript that I would never sell again, and still feel this way some three years later.

At what point do you start diverting your energies from promoting your debut and writing / polishing / editing your second?

I would say that today, I still have some energy focused on Nonnie and I. I think that unless you have a huge publisher (and even if you do), the work never ends. You don’t want your books to ever fall onto the “out of print list.” What writer doesn’t want their book to be considered a classic? I do have the fear as I work on a second book that Nonnie and I will be the only one I will ever have in reader’s hands. That can cause a lot of anxiety when you want to focus on other manuscripts. You don’t want to be a one hit wonder. 

Your first book landed an agent and an editor, and hopefully some fans. Who are you writing the second one for? Them, or yourself?

I sold Nonnie and I on my own, without an agent. But, I’m in the process of finding one. The publisher I worked with only had minor editorial changes. For any book, this is kind of unheard of, but for Nonnie and I it just worked out that way.

My second book I’m writing for me, one hundred percent, but the feedback I’ve gotten from the industry has really helped me/pushed me to make it better so that it can sell. I’ve learned you can’t write for anyone but you, especially in a profession that is subjective as this one. Overall, I want readers to love my stories. That is how it was with Nonnie and I, and how it will continue. My worse fear is getting a book published only to have readers hate it. Reviews where a reader didn’t connect with the story. That the characters were flat and the reader didn’t care what happened to them.

Is there a new balance of time management to address once you’re a professional author?

For me time management has always been a balancing act since I have a full time job outside of writing. As a social worker, most of my evenings after work are “wasted.” Because I don’t have the energy to devote to writing, and if I do, I almost become wired and then can’t sleep, which causes issues the next day at work. I do try and use the week nights for reading and researching so that when the weekend comes I can devote most of the day to actual writing and editing. If I’m able to get a lunch break during work I will try and read, edit or create a new rough draft of a story idea, but this is pretty rare.

What did you do differently the second time around, with the perspective of a published author?

The second time around, as I write I have learned that most of my drafts, which I thought were ready to go and perfect are not at all. I submitted too soon on so many of them. Also, I have thicker skin in a sense that I know it’s a waiting game, I just hope it’s not a seven year game. I have learned this second time around that it’s important to keep writing, when creativity strikes write it down. It’s important to have more than just one other manuscript, especially in the picture book world. The other day I submitted a picture book to an agent and the agent replied right away asking if I had any other picture books she could look at as well. If I only had that one, then I would have missed an opportunity. Regardless of the outcome of that agent, it’s important to have more than one thing in your portfolio, illustrators do, and writers should too.

Monday, December 11, 2017

Where To Get Signed Books For Christmas!

If you're finishing up your Christmas shopping (or just starting, I won't judge) and have a book lover on your list who might enjoy a signed book from yours truly, there are a couple of options for you.

There are signed copies of my books in Colorado at The Tattered Cover (Aspen Grove), Old Firehouse Books and BookBar. If you're in Ohio, try the Barnes & Noble at Sawmill or Akron - call ahead, as there may not be signed copies still available. If you're in the Cleveland area, try Loganberry Books, and take time to pet their beautiful store cat, Otis! You can also stop by the B&N in Pickerington on December 16 @ 11 AM to meet me.

If you're not near any of these stores, always feel free to contact my local indie, Fundamentals ((740) 363-0290 or funbooks@rrohio.com) to order in time for the holidays. I will sign and personalize for you!

The newest ep of the podcast is up as well. Listen to middle grade author Gayle Rosengren discuss how to patch together a freelance career through things like writing copy, copy editing and being a research assistant.

Saturday, December 9, 2017

The Saturday Slash

Meet my Hatchet of Death (or, some other colorful description RC Lewis and I come up with at any given moment). This is how I edit myself, it is how I edit others. If you think you want to play with me and my hatchet, shoot us an email.

We all know the first line of a query is your "hook." I call the last line the "sinker." You want it to punch them in the face, in a nice, friendly kind of way that makes them unable to forget you after having read the 300 other queries in their inbox.

If you're looking for query advice, but are slightly intimidated by my claws, blade, or just my rolling googly-eyes, check out the query critique boards over at AgentQueryConnect. This is where I got my start, with advice from people smarter than me. Don't be afraid to ask for help with the most critical first step of your writing journey - the query. My comments appear in green.

You wake up alone and scared. Probably not a good idea to frame the query in second person, unless the entire novel is written that way - which I doubt.  Finding your way back to your life, you find you've been missing for two years. To complicate matters, you know you're you, but everyone else sees someone completely different when they look at you. Literally? Or figuratively? Your family has broken apart and moved away, your friend is obsessed with finding you, but of course they don't know you're you, alone you decide to find out what happened to you. Honestly with the repetition of various forms of "you," this is becoming flat out confusing. I would definitely take this out of second person. You need a strong hook, and the concept of amnesia and disappearance has been done many times - what makes this story different from every other one? Get that into a hook, and start there.

During your investigation you uncover the town's dark secret, you're not the first person this has happened to. As you learn more about what happened to the other people you hope to learn more about what happened to you, even as the town you've thought of as home becomes more unwelcoming and the shadows grow thicker around you. Even as you find out that it wasn't a who that took you, but a what. Why did it take you? What does it want? Can you stop it before it takes someone else? Definitely don't end with rhetorical questions.

Combining the creepiness and terror of Daniel Kraus's Scowler with the mystery and suspense of Paula Hawkins's The Girl on the Train (although with a shot of supernatural not a shot of gin and tonic), The Disappearance of Desmond Willows is a supernatural coming of age story. A horror who-done-it, where the victim of the crime is also the naïve and inexperienced detective bent on solving his own kidnapping.

This is my first attempt at a true young adult book. And this is the very first indication of have that this is a YA book. I've tried my hand at micro-publishing my work on Amazon.com, where you can find several of my novellas and two novels published under the name ____. I wouldn't mention your self-published work until you're in a more personal contact level with the agent. If they're interested in your work they will request pages of what you are querying them with.  My short story Warm Blooded earned an honorable mention from L. Ron Hubbard's Writers of the Future in 2014.  Most recently my play, The Last Stand on Mango Street, was performed at the Liminus Theater in Cleveland as part of the NEOMFA Playwright's Festival.  In May of 2016 I earned my MFA in fiction from the NEOMFA program where I studied with author Christopher Barzak.

The bio you have here is good, but you definitely need to scrap the query and start from scratch. Like I said, the very first indication I have that this is a YA novel is at the end of the query. The second person POV makes the main character whoever is reading the query. We need to know who Desmond Willows is in order to care about what happened to him when he disappeared. Look at other queries on this blog, and check out sites like Writer's Digest to see good queries in action.

Friday, December 8, 2017

Book Talk & ARC Giveaway: LOVE, LIFE & THE LIST by Kasie West

Seventeen-year-old Abby Turner’s summer isn’t going the way she’d planned. She has a not-so-secret but definitely unrequited crush on her best friend, Cooper. She hasn’t been able to manage her mother’s growing issues with anxiety. And now she’s been rejected from an art show because her work “has no heart.” So when she gets another opportunity to show her paintings Abby isn’t going to take any chances.

Which is where the list comes in.

Abby gives herself one month to do ten things, ranging from face a fear (#3) to learn a stranger’s story (#5) to fall in love (#8). She knows that if she can complete the list she’ll become the kind of artist she’s always dreamed of being. But as the deadline approaches, Abby realizes that getting through the list isn’t as straightforward as it seems… and that maybe—just maybe—she can’t change her art if she isn’t first willing to change herself.

Want to help me with all the mailing costs? I do giveaways at least once week, sometimes more. It can add up. If you feel so inclined as to donate a little to defray my mailing costs, it would be much appreciated! Donating has no impact on your chances of winning.


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Wednesday, December 6, 2017

Wednesday WOLF

Before we do this week's Wednesday Wolf, I need some volunteers from the audience. I'm all caught up on my willing victims for the Saturday Slash, so if you think your query is ready to go out there, let me and my hatchet tell you what we think first. Remember you must be follower of the blog (through Google connect) to get slashed.

I'm such a big nerd that I tend to look up word origins in my spare time because I'm fascinated by our language. The odder the origin, the better. I've got a collection of random information in my brain that makes me an awesome Trivial Pursuit partner, but is completely useless when it comes to real world application. Like say, job applications. I thought I'd share some of this random crap with you in the form of another acronym-ific series. I give you - Word Origins from Left Field - that's right, the WOLF. Er... ignore the fact that the "from" doesn't fit.

Recently I hit a deadline by the skin of my teeth, and my nerd brain immediately said, "Hey, what's that mean?" So, librarian section of nerd brain went to work and Religion Major section of nerd brain was humbled when I discovered the answer.

Turns out we get this handy-dandy close call reference from poor long suffering Job. Quoting Job, 19:20 (NIV) "I am nothing but skin and bones; I have escaped with only the skin of my teeth." If you're not familiar with Job's story, basically the man lost everything he had - family, wealth, possessions, health - but it seems he still had good teeth so that says a lot of the Biblical era dental hygienists.

Other translations have the verse reading as, "by the skin of my teeth," but either one translates the same. Old Job was saying he'd escaped something "by a very small margin" as we don't actually have skin on our teeth. If you do, I suggest your visit a Biblical dental hygienist, apparently they knew how to handle that. There is some argument that perhaps Job was referring to his gums being the only part of his body not covered in boils, which may or may not be the case, but the translation remains the same as the gums would compose a small margin of his body.

Either way, I doubt it was much consolation to him at the time that he was coining a phrase.

Tuesday, December 5, 2017

Hannah Carmona Dias On Turning A Real Life Struggle Into A Creative Project

Inspiration is a funny thing. It can come to us like a lightning bolt, through the lyrics of a song, or in the fog of a dream. Ask any writer where their stories come from and you’ll get a myriad of answers, and in that vein I created the WHAT (What the Hell Are you Thinking?) interview. Always including in the WHAT is one random question to really dig down into the interviewees mind, and probably supply some illumination into my own as well.

Today's guest for the WHAT is Hannah Carmona Dias a writer who currently resides in Tennessee. Beautiful, Wonderful, Strong Little Me is her debut book which tackles a topic she herself has struggled with.

Ideas for our books can come from just about anywhere, and sometimes even we can’t pinpoint exactly how or why. Did you have a specific origin point for your book?

Yes I remember the day exactly! I was shopping at Target with my daughter and while I was checking out the cashier looked at my daughter and said, “She’s beautiful. What is she?” My daughter was 2 years old at this time and while I had gotten this question all my life (referring to the complexion of my skin and curly hair) I had never had this question directed towards my daughter. It was then that it hit me… she would be living her life hearing this question over and over again just like I had. My brain bulb flashed—someone should write a book about about this! And so I did. 

…Also just for kicks I told the cashier she was part alien par t dinosaur and walked out.

Once the original concept existed, how did you build a plot around it?

This was a really rare case where the story seemed to flow out naturally. Instead of running it through my mind for weeks or doing extensive plotting, on the drive home I could already visualize the words in my head and see the beginning, middle, and end. My fingers were itching to get the story down on paper, which I did that night.

Have you ever had the plot firmly in place, only to find it changing as the story moved from your mind to paper?

Abosolutly! In the case of my debut picture book the story didn’t change much. Like I said above, it was a very weird and unusual occasion where the story just flowed. Now my current WIP is a whole different beast. If you saw my initial outline as compared to what’s currently on paper you wouldn’t think they are the same story! I love outlining because it gives me a starting point and I don’t feel overwhelmed when I begin to write. However sometimes inspiration strikes when my fingers hit the keyboard, which is what happened with this WIP. New characters emerged, minor plot points became major plot twists, and my ending changed a total of five times!

Do story ideas come to you often, or is fresh material hard to come by?

I have a notebook of story ideas. I blame it on the fact that I’m a children’s theatre director in addition to being a writer. Constantly being around the creativity of a child keeps my brain flowing faster than I can keep up with it. I realize that this is a good problem to have which is why I keep avid notes in case the day comes when this is a struggle.

How do you choose which story to write next, if you’ve got more than one percolating?

I start what I call brain plotting. Nothing on paper, but I begin by telling myself the story over and over again in my mind. Once I can tell myself the complete story I know it’s a workable idea. If this idea sparks a fire where I can’t function until I get it out of my system then I know it’s time to begin writing.

I have 8 cats (seriously, check my Instagram feed) and I usually have at least one or two snuggling with me when I write. Do you have a writing buddy, or do you find it distracting?

You are achieving my life goal! I currently have two cats, a dog, and iguana in addition to my two kids …so I have an abundance of writing buddies. Though my favorite writing buddy is a hot mug of tea and giant bag of chocolate!

Monday, December 4, 2017

Where I'll Be This Week & A New Podcast Episode

I'm home from an amazing time in Colorado and getting back into the grove of daily life... kind of. You may have noticed that this blog post is going up way late. Chalk it up to the 20 hour drive.

This week you can come meet myself and fellow YA fantasy author Cinda Williams Chima as a part of the Literary Cleveland Young Adult Showcase that will be taking place at Loganberry Books.

And don't miss the newest episode of the Writer, Writer, Pants on Fire podcast, with guest Corey Ann Haydu. Corey joined me to talk about how the acting world helped thicken her skin for the ups and downs of publishing, writing about OCD from a place of understanding, and the moment of choosing a voice for a story that determines whether it will be middle grade or YA, and what to try - and not try - at school visits.